
March 26 – May 10, 2026
Exhibition: ‘Companion Animals’ by Phil Irish
‘Companion Animals’ presents an innovative fusion of painting, photography, and site-based installation, responding to the vast and vulnerable landscapes of the Arctic. Using a custom-built frame to suspend painted elements – ranging from abstract gestures to representational forms – Phil Irish stages these components within the terrain, allowing the camera to capture an uncanny interplay between the ephemeral Arctic environment and painterly intervention.
In this work, the act of framing becomes metaphor as much as method. It reflects how we view the natural world through layers of memory, media, myth, and cultural bias. The Arctic, often perceived as desolate or “other,” is revealed here as intimate and interconnected- its melting ice echoing a planetary urgency.
There is a tension in the work between fragility and strength, between human mark-making and elemental force. By foregrounding beauty, vulnerability, and resilience, Irish encourages us to shift from a stance of environmental despair to one of active care and possibility.
Alongside a series of haunting photographs captured during the residency, the exhibition includes a new sculptural installation: a spatial “frame” that disrupts the gallery’s architecture, echoing the tension between presence and disappearance that defines the Arctic experience.
Project Background
In 2017, Canadian artist Phil Irish joined Canada C3—a landmark expedition that sailed the country’s coastlines to mark Canada’s 150th anniversary. On Leg 7 of this voyage, he spent nine transformative days tracing the northern edge of Baffin Island, embedded in a cross-disciplinary cohort of scientists, Indigenous leaders, artists, and activists. The conversations and environments encountered during that time catalyzed four years of creative output, steeped in inquiry, reflection, and a deepening environmental urgency.
Most recently, Irish’s journey brought him to Svalbard, a remote arctic archipelago, as part of the Arctic Circle Residency—an expedition aboard a sailing vessel where artists and scientists charted climate impacts in one of the most sensitive and rapidly changing regions on Earth. While the Arctic may seem distant and disconnected to many, Irish’s work pushes back against that illusion, revealing the intimate and often invisible ties that bind us to these frozen frontiers.
This project emerges from that experience—part expedition, part emotional reckoning, and part experimental studio practice.
An opening reception and artist meet-and-greet will be held on Sunday March 29 from 2-4PM.

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Phil Irish

Phil Irish, an artist from Elora, Ontario, holds degrees from York (MFA) and Guelph (BA). His work has been shown at public museums, artist-run-centres, and commercial galleries across Canada. His work was featured at the Quebec City Biennial, and three times shortlisted for the Kingston Portrait Prize. He has developed new work during residencies at the Symposium in Baie-Saint-Paul, Quebec, The Banff Centre, and the Vermont Studio Center. In the summer of 2023, he participated in The Arctic Circle residency, exploring the arctic archipelago of Svalbard, aboard a sailing ship with artists from around the world.
He teaches studio at Redeemer University in Hamilton, Ontario. His contemporary art pushes oil painting beyond its classic frame, exploring collage, lens-based projects, and massive collage installations.



