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Yangyang Pan

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"Abstract Landscape 96"

Oil on canvas 36" x 60"

$4800

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"Morning Light"

Oil on wood 40" x 40"

$4200

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"Mist Light"

Oil on canvas 30" x 30"

$3200

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"Whispering Wind"

Oil on linen 40" x 60"

$5600

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"Moon River"

Oil on canvas, framed (black wood) 24" x 24"

$2200

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'Bask in it'

oil on canvas 30" x 30"

$2800

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"Meditator"

Oil on canvas 48" x 48"

$6200

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"Cheers"

Oil on canvas, wood frame (painted white) 36" x 36"

$4200

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'Be the Good'

oil on canvas 36" x 60"

$5200


Meet artist Yangyang Pan

Coming from away, I unpack my paint box to interpret the Canadian landscape from a different perspective. I tame the wilderness and make my gardens wild. With a bird’s eye view of the new, yet old earth around me, I challenge the Canadian Shield and honour the St. Lawrence Lowlands. It is an immigrant immersion. I learn the land and present its messages. The abstracted landscape lets me step into it gently, then build, with my brushstrokes, this new embrace to a release. I paint my way into a new space that does not contain me. It allows me to feel an unfamiliar freedom and, at the same time, to be myself.

 

My focus is on chromatic lyricism. My paintings, with their exuberance and wild colours, develop and evolve as an intuitive reaction to my beautiful surroundings, whether as close as the garden or farther throughout the region. The resulting work is an interplay of my memories and my present, as I bring together the ethereal and the physicality of the land around me. Perhaps this distillation of nostalgia helps me to understand the here and now.

 

What I wish to present is my journey. While ostensibly based on the dynamic visual forces of nature, landscape and surroundings, these lyrical works are as much a landscape of my inner emotions, memories and history. I want my paintings to pulse with life and reveal a marriage of my cultural connections and ideas of aesthetics. This work allows me to consider the space between seen and unseen, which takes root in one’s senses and memory. I aim for the beauty and drama of evocative abstract painting within an ongoing exploration of what can be achieved in paint. I try to push the relation between form and colour to create a visual sensation of energy, emotion, and reality: epiphany.

 

Yangyang’s ‘Ephiphany’ solo exhibition at the Elora Centre for the Arts this summer included captured the energy flow and the senses, and the fusion of eastern and western traditions. She grew up in China, where she got her art education. While much of her influence comes from Chinese culture and arts, she is also influenced by western abstract expressionism painters like Willem De Kooning, Joan Mitchell, Philip Guston and Cy Twombly, among others. Her work reflects the blend of ideas between east and west, and is emblematic of the global nature of art.